Survival Guide für unabhängige Filmschaffende
Unabhängige Filmproduktionen verlangen kreative Lösungen und gute Planung. Dieser Archivbereich sammelt Erfahrungen und Anregungen rund um Zusammenarbeit, Produktion und die Herausforderungen der Filmszene.
Your ads will be inserted here byEasy AdSense.Please go to the plugin admin page to paste your ad code. Zineloft is a film collective that my colleague Juliane Block and I put together to join forces in the promotion of our films and find new ways and methods of distribution in the digital world….
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Considerations of financial implications on your first feature film
Your ads will be inserted here byEasy AdSense.Please go to the plugin admin page to paste your ad code. Filmmaking is a costly endeavor. One of the most, if not the most, expensive art forms. They say practice makes perfect and an artist needs to practice, experiment, fail and try again to become an expert,…
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Changing the mindset to produce outside the system
On the last post we talked about changing our mindset to try to accept he realities of the current state of independent filmmaking so we can take action to create a sustainable career. I introduced you to Ted Hope and I hope you read his post about the film business, because now I need…
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Producing in or outside the system
First we need to define what the system is. In Germany the system is very clear: You graduate from one of the top film schools of the country where you had the chance to produce tons of short films and even a feature if you´re lucky. You write a killer script for your first (or…
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How to survive as an independent filmmaker
I guess this is the question every filmmaker asks if he’s not employed by one of the major studios or have a multi million dollar developing deal. I am far my self to have a real answer to that question but I would like to start this series as some sort of collective brainstorm…
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